Sunday 9 October 2011

Cinema Review: Jane Eyre


A Victorian governess relationship with her tormented employer.

Jane Eyre is one of those stories that while terribly important and avant-garde in their time hasn’t aged really well. Under the shape of a classic Victorian romance it delivered social commentary and a very early form of feminism. The problem is that that feminism and the whole romance, with his throbbing chests and weeping eyes, looks dated by today standard. We can intellectually understand that for a Victorian young lady Jane Eyre is incredibly advanced but we can’t help but grow restless watching her taking literally forever to develop her relationship.
Having said that, Bronte dialogue is still light years better than the standard faire that is offered by her modern counterparts. It is sophisticated in a way that modern filmmakers shy away from, probably fearing that the average moviegoer wouldn’t understand it.
The background is wonderful. TV tropes call this kind of stuff, Scenery porn and I think that this is an apt description. The costume setting is picture perfect and the English countryside is filmed in a gorgeous way. It was really a pleasure just watching the snow falling on the thatched roof of her house.
The cast is good but they cat in a strangely stilted way, there is an overall feeling of playacting, of “We are not really these characters we are just playing them. This artificiality is not unpleasant per se but it limits the film scope somewhat.
In the end we couldn’t immerse ourselves in the story but we certainly enjoyed the experience.

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