Friday 9 November 2012

Cinema review: The Raid


A raid in a mob occuped building goes terribly wrong.

After “Merantau” Gareth Evans and his choreographer/action star Iko Ulwais tried to develop a big prison themed movie. Things didn’t went through and so they downsized themselves quite a lot and made “The raid” in record time to keep their names on the market. Very good for them because “The Raid” proved extremely successful and established new house names in the martial arts panorama.
Basically they skipped all the troubles with “Merantau” plot by practically abolishing it.
I’m not joking, for all intents and purposes “The raid” is an extremely long and convoluted fight scenes putting Iko Ulwais SWAT hero against an entire building full of machete wielding, machine gun blazing, Silat practicing crazy mobster. Yes every now and then we stop for a little bit of exposition, mainly bad guy gloating about stuff, but we never ever leave the building and more often than not that exposition is interrupted by some crazy action. It’s that relentless.
It’s all very creative. Instead of those strange worlds where people don’t use firearms at all here everybody is a very bad sportsman and so they try to kill each other in many creative ways.
Evans clearly learned many lessons while doing “Merantau”. The action is more slick, the shoots more interesting, and the light placement professional. It’s still not perfect. The action is so relentless that the various fights merge with each other and the rhythm is too much stop and go but in the end it’s very difficult to sustain tension for almost two straight hours, there’s one of the reasons no one tries something like this.
Now that they are famous they are aiming for their aborted bigger project. If they can fix their plot troubles we could have a martial arts masterpiece.
Conclusion: For fans of the genre this is unmissable but if you can’t appreciate a good machete swing you’ll better go elsewhere.

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