A group of
Japanese people discover that they are the reincarnation of ancient Incas.
In theory
it shouldn’t be that bad, at least there is an original concept that could
provide plenty of drama when the allegiances of the past conflict with those of
the present, the setting is also very original, the Inca empire is not
something that we see every day. Therefore it’s noteworthy how they managed to
make so many mistakes.
But first
let’s talk a little about the tone. This is clearly on opera aimed to a female
audience, no offence intended here, in Japan there is a clear division between
stuff aimed at male and stuff aimed at females (there is also stuff for older
male, older female, young boys etc.). So the actual fighting and generally the
plot advancing stuff is not very abundant while we get plenty of angst, weeping
lovers and that odd homosexual undertone that apparently fascinates so much
Japanese girls.
The main
problem is the general unlikability of practically everyone. This is a big
problem because in a work like this one, where the relationships are the main
focus, the characters need to be better that these thinly detailed sketches.
The main bad guy wants to destroy the world for unfathomable reason, his
present mind so completely obliterated by his past self that he became a
caricature of a villain, even bursting up in the more stale “evil laughter”
that you can imagine.
The ancient
Inca society is left completely devoid of any interesting characteristic,
actually is missing any defining trait at all apart from a mystical access to a
mysterious super energy of dubious utility. The design of the Inca costumes is
Campy in a “Oh my god what they were drinking that day!” way. I really have no
idea who they thought could root for somebody dressed in s long leotard and
incredibly long feathers...
I must
admit that the animations are nice, detailed and high quality but this only
means that I can see all the ridiculous details of the setting.
Terrible
stuff indeed.
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